It is the second time the University of Theatre and Film Arts (Budapest) organises the FACT (Festival Arts Cinema Theatre) international festival, this time between the 1st and 4th February 2018.
What distinguishes FACT from other European festivals of drama universities is that here film and theatre appear side by side, and that special attention is given to related arts also, by presenting the works of set and costume design students.
The purpose of FACT is to provide Hungarian and international students the opportunity to present their diploma films and performances to an international audience, to participate in workshops together and to establish long-term professional relationships.
The students of six international and two Hungarian drama universities will participate in this year’s festival. Those interested will have a chance to see a huge variety of performances from one-person (one audience member!) shows to ones played by large ensembles on the big stage.
Productions of the drama universities of Brno, München, Reykjavík, Versico and Kaposvár have been invited to this year’s FACT, and the host, the University of Theatre and Film Arts will present four of its own productions. Student-led productions selected through an international competition will also be part of the programme, as we believe it is important to present and support initiatives of this kind.
Within the frame of the festival we organise two conferences, the subject of one being the work of film director Zoltán Fábri, whose centennial we celebrated last year, while the other focuses on the present and future of Hungarian drama education. Teaching staff, both practical and academic, from Budapest, Novi Sad, Târgu Mureş, Cluj-Napoca and Kaposvár, that is from every higher education drama institution, where training is provided in Hungarian, will take part in this conference.
Beside the sixteen productions an exhibition will be held of costume and set designs by students from the Hungarian University of Fine Arts and Rippl-Rónai Faculty of Arts, University of Kaposvár, BA in Applied Scenography and there also will be a screening of various award-winning dokumentaries and short films by students of film from the University of Theatre and Film Arts.
|2018.02.01.||Ódry Stage||Hevesi Studio||Nádasdy Studio||Uránia National Filmtheatre|
|17.00-18.00||Screening of dokumentumfilms by students from the University of Theatre and Film Arts, Budapest|
|18.00-19.00||18.30 Opening ceremony + Exhibition of Costume and Set Designs (Hungarian University of Fine Arts, Budapest and Applied Scenography at the Rippl-Rónai Faculty of Arts of the University of Kaposvár|
|19.00-20.00||As you like it by Shakespeare (Budapest)|
|21.00-22.00||21.30 Talk with the artists|
|22.00-23.00||22.30 The Bacchae by Euripides (Budapest)|
|2017.02.04.||Ódry Stage||Attic||Hevesi Studio||Uránia National Filmtheatre|
|17.00-18.00||Pandora (Verscio, Switzerland)||Screening of short films by students from the University of Theatre and Film Arts, Budapest|
|18.00-19.00||Belonging to no one (Verscio, Switzerland)|
|19.00-20.00||The Exorcists by Arthur Miller (Kaposvár)|
|21.00-22.00||Talking with the artists|
|22.00-23.00||To be (Verscio, Switzerland)|
|2018.02.03.||Ódry Stage||Attic||Classroom 202||Classroom 220||Club|
|14.00-15.00||14.30 36 dramatic situations (Prague)||Touring tour (Prague)||Veduty (Prague) - The performance can be viewed by 1 viewer, the performances begin every 15 minutes.|
|15.00-16.00||15.30 36 dramatic situations (Prague)||Touring tour (Prague)|
|16.00-17.00||The man outside by Wolfgang Borhert (Munich)|
|19.00-20.00||The Lieutenant of Inishmore by Martin McDonagh (Budapest)|
|21.00-22.00||Talking with the artists||21.30 36 dramatic situations (Prague)||Touring tour (Prague)||Veduty (Prague) - The performance can be viewed by 1 viewer, the performances begin every 15 minutes.|
|22.00-23.00||Night is mother to the day by Lars Norén (Budapest)||Touring tour (Prague)|
|2018.02.04.||Ódry Stage||Attic||Hevesi Studio||Classroom 220||Club|
|14.00-15.00||#||Touring tour (Prague)||Veduty (Prague) - The performance can be viewed by 1 viewer, the performances begin every 15 minutes.|
|15.00-16.00||Touring tour (Prague)|
|16.00-17.00||The contract (Reykjavik, Island)|
|17.00-18.00||The tragedy of man by Imre Madách (Bucurest)|
|18.00-19.00||talking with the artists|
|19.00-20.00||Elektra by jean Giraudoux (Brno)|
|21.00-22.00||21.30 talking with the artists|
|22.00-23.00||22.30 Carmina Burana (Kaposvár)|
We have to get out of here! Why? Where? Let’s stay here! Why should we? I’m in love, I’m a fool, I’m disappointed, I want to play, I long for nature, I long for honesty, I’m afraid of solitude, I don’t want to be left alone, I don’t like it when someone lies to me, I don’t like the way the world seems to be working, I want out of this cage, I want you to come with me. To come with me to the Forest of Arden.
The team of young actors from the third-year actor class at the University of Theatre and Film Arts wish to stage this awareness of life, or something very much like it.
Cast: ÁBEL Stella, ANTÓCI Dorottya, DARVASI Áron, DINO Benjamin, ERTL Zsombor, HORVÁTH Csenge, KOVÁCS Máté, LUKÁCS Dániel, MÁRFI Márk, MÁRKUS Luca, REIDER Péter, RUDOLF Szonja
Text based on the original Shakespeare by VECSEI H. Miklós
Directed by: ifj. VIDNYÁNSZKY Attila
A performance by the third-year physical theater director and choreographer class.
„You ever wonder when god’s coming back with a lot of barbecue sauce?” Chuck PALAHINUK
The Bacchae is a celebration held at the altar of fertility. The Bacchae is reminiscent of rituals and human sacrifices. The Bacchae is a reenacting of the sufferings of a god who was dismembered and then resurrected. The Bacchae is the birth of tragedy. The Bacchae is the tension of repressed instincts. The Bacchae is a chance meeting on a dissecting table of id, ego and superego. The Bacchae is the Woodstock of released inhibitions. The Bacchae is the garden party of woman torn from the hearth. The Bacchae is a tale of self-fulfillment. The Bacchae is a family tragedy. The Bacchae is the ruthless revenge of a family’s black sheep. The Bacchae is the tale of a family’s downfall. The Bacchae is the tale of a city’s collapse. The Bacchae is the tale of a culture’s demise. The Bacchae is the tale of an illusion of self-fulfillment. The Bacchae is the table set for the last supper.
Dionysus: MOLNÁR G. Nóra
Pentheus: GYULAI-ZÉKÁNY István
Agave: HERMAN Flóra
Youth: BARNA Lilla
Tiresias / Second Messenger: TÉNAI Petra
Cadmus: HOJSZA Henrietta
Messenger: NAGY Henrik
Servant: KOTORMÁN Ábel
Chorus of the Bacchae: GAÁL Dániel, VADÁSZ Krisztina és mások (and others)
Chello: BETTERMANN Rebeka
Scenography: RADVÁNYI Anna
Movement: NAGY Péter István és HOJSZA Henrietta
Dramaturg: SÁNDOR Júlia
Directed by: NAGY Péter István
A master project in Physical Theatre by Santiago Bello combined physical theatre, object theatre and video theatre
ON. Open the chamber of secrets.
Press play, record, repeat. Stop.
Press play. PLAY.
Taking the set of a TV studio and the character of a journalist who is about to start the news broadcast, the show begins with a nuclear explosion that turns round the space and inverts the meaning of the objects found in this Tv Studio. As the myth tells, when Pandora’s box was opened, chaos and evil were released in the world. Making a metaphor of the TV as Pandora’s box, the performance reflects about communication breakdown, fake idolatry and the paradoxes of human relationships in our modern era. While the real world –nature– the unframed reality that really matters is waiting for us to awake.
“A body with several faces wandering in a frozen time“ – A solo piece of Physical Theatre and New Circus Created and performed by: Robert A. Díaz
“Belonging to no one” is inspired by the book of poems “ Conversation in the dark” ( Conversación a oscuras) written by the Colombian writer Horacio Benavides.
The performance by the Colombian actor and circus artist on one hand is an echo of what a war leaves behind it and on the other hand, it is an echo of indifference to a war; when a war becomes quotidian and it frustrates dreams, but also, when in difference is supported by the media and allows you to continue dreaming even when surrounded by death. Even when you are dead. A scream of silence.
Physical-theater show by and with Alessandra Francolini
‘TO BE’ tells the story of an actress who decides to tackle Hamlet’s best-known soliloquy,
“To be or not to be…”. ‘It leaves Shakespeare’s overarching plot behind in order to fully focus on the deepest, innermost nuances of Hamlet’s perennial struggle to find inner piece and happiness. Hamlet’s monologue is a vehicle, a device that paves the way into poetic and theatrical worlds hidden within it.
Led by URAY Péter, the fourth-year actor class from the University of Kaposvár will perform Exorcists, their diploma production adapted from Arthur MILLER’s The Crucible. Prevalence of fear, maniacal anger stemming from attachment and possession, and the unstoppable rampage of worldly and religious powers consume the town of Salem, and lead its residents to their ruin. All hope for redemption is lost, while the infinite hatred and despicable sins of man born of weakness, stupidity or simple clumsiness come together to give us a picture of satanic nature.
Besides the main roles the actors also portray other characters, stepping on stage at times with only token changes to costume. This intense, powerful and exciting dramatic material gives this class of fourteen young artists the opportunity to use all the abilities and techniques they have acquired over the past few years.
Reverend Parris: BENEDEK Dániel
Betty, his daughter: DÉR Mária
Abigail Williams: SZABÓ Nikolett
Tituba: KÓNYA Renáta
John Proctor: HERCZEGH Péter
Elisabeth Proctor: DÉR Mária
Mary Warren: VARGA Bori
Thomas Putman: NAGY Márk
Ann Putman: DUNAI Csenge
Mercy Lewis: HORVÁTH Julianna
Reverend Hale: SZÉP Domán
Judge Danforth: NAGY Márk
Hawhtorne: TICZ András
Ezekiel Cheever: KOLTAI-NAGY Balázs
Giles Corey: MÉSZÁROS Martin
Rebecca Nurse: HORVÁTH Julianna
Duck: HELVACI ERSAN Dávid
Sarah Good: HELVACI ERSAN Dávid
Susanna Walcott: DUNAI Csenge
Teresa: KÓNYA Renáta
Margaret: HORVÁTH Julianna
Herrick: TICZ András
Carol: KÓNYA Renáta
Rosali: VARGA Bori
Directed by: URAY Péter
Head of Class: URAY Péter
Costume Design: CSELÉNYI Nóra
Dramaturg: SZABÓ Attila
Music by: KOVÁCS Adrián
Assistant to the Costume Designer: URBÁN Nikolett Réka (Jo)
Light Design: HORVÁTH Gábor
Sound Design: HORVÁTH Gábor
Assistant to the Director: SZABÓ Attila
Interactive game for five to seven player, whose aim is to find out who is a human a who is just a machine imitating human. Visitors go on a journey through the wrecked world and in the wasteland decide whom to save and whom to crush under the wheels of their steam train.
„Late cry over the spilled city
I avoid pouring under the medallions of light
I float and feel the remnants of the past
In the shade of orange light“
Is the author of this excerpt a human or a machine? Rest of the text, including the answer, awaits for you in the game Touring Turing.
Cast and authors: Boris JEDINÁK, Petr ERBES, Jan TOMŠŮ, Kateřina CISAŘová, Eliáš JEŘÁBEK
A puppet show without words
There Pythagoras, the father of numbers, has already been telling about magical characters of the number 36. 3+6= 9 – the symbol of a human.
The normal temperature of a human body is 36°C.
The piano has 36 black keys.
The number of inches in 1 yard is 36.
36 is the number of combinations of two dices.
George Polti was a French writer, that in the 19th century published the list of The Thirty-Six Dramatic Situations describing and categorizing every dramatic situation that might occur in a story or performance. Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations.
I’m human and I have 36 ways of spending my day.
What will happen to me today?
Author and cast: Anna Romanova
Tutor: Kristyna Täubelová
A performance for one and a half spectators mapping a common path without words and goal. A travel through a tangible landscape. Once you set off, do not thing of coming back.
Created an performed by:
Vendula BĔLOCHOVÁ, Václav ZIMMERMANN
The performance can be viewed by 1 viewer, the performances begin every 15 minutes.
Beckmann is coming home to Germany after being a soldier in the Second World War. Still traumatized by his experiences and driven by the questions according to morality and responsibility, he has to see how people have resumed their normal lives and displaced the uncomfortable past as good as possible. Every single meeting with persons he once knew – with his former superior in the war, with the Director of the cabaret where he audition for a job or with the new tenant of the house of his dead parents – leaves Beckmann alone and without answers.
The play and its themes – destruction, escape, existential fears, deportation – remind of current events: The war of Beckmann is not only a past war…
Director, stage/costume designer, dramaturg: Philip LEMKE, Philipp ROSENTHAL, Nora SCHULTE
Light: Benjamin SCHMIDT
With: Philip LEMKE, Philipp ROSENTHAL, Nora SCHULTE
The examination performance of the fourth-year musical actor’s class.
There are multiple scenes in this production of The Lieutenant of Inishmore that may upset members of the audience: four on-scene murders, three people are blinded, one person scalped, one has their toenails torn off, a brawl, some torture, intimidation with a weapon, and abuse and execution of a cat. Not to mention the profound stupidity of Man of which this story is a black humored caricature. Also, many viewers may find the vulgar and obscene language used by the characters offensive, which is why we must apologize in advance.
FÁNCSIK Roland, IMRE Krisztián, KURUCZ Dániel, SZÉLES Flóra, BORSI-BALOGH Máté, HAJDU Péter, HUNYADI Máté, JENŐVÁRI Miklós
Set and Costume Design: HERMAN Anett, PAJOR Patrícia
Directed by: FORGÁCS Péter
In Hungarian with English subtitles
For audience members 16 years old and above.
I had seen all my life men, these narrow-shouldered beings do stupid things, debasing their fellow man and corrupting their souls as best as they can. Seeing their antics I wanted to laugh like the others; but my laughter was just an inept imitation! I took up a sharp-edged knife and cleaved my flesh where my lips met. For a moment I thought I had achieved my goal. I looked into a mirror, at my mouth, wounded by my own hand. What folly! After comparing them briefly, I saw well how my laughter is different from others’. That I am not laughing at all.
Martin: KOLLER Krisztián
Elin: KONFÁR Erik
Georg: HAJDU Tibor
David: VILMÁNYI Benett
Music by: JÓZSA Tamás
Directed by: FEHÉR András
Translation by: OSZTOVICS Cecília
In Hungarian with English subtitles
For audience members age 18 or older
Berti sells spices, Sonja is designing a hydroelectric powerplant where Berti sells his spices. Do they fight over this dilemma? Yes. Do they dance? Yes.
Who is this Kontraktor and what does he have to do with the story?
Let’s find out. Sign here.
Berti: Jónas Alfreð BIRKISSON,
Sonja: Rakel Ýr STEFÁNSDÓTTIR,
Kontraktor: Ragnar Pétur JÓHANNSSON
Written by: Helgi DRAGON
Directed by: Jökull Smári JAKOBSSON
Music: Katrín Helga ÓLAFSDÓTTIR
Set: Bergur NORDAL
Choreography: Assa Borg SNÆVARR and Sesselja Borg SNÆVARR
In Icelandic with Hungarian and English subtitles
An adaptation after The Tragedy of Man by Imre MADÁCH
The tragedy of man is initiation ritual led by Lucifer. After the expulsion from Eden, the fallen angel guides the first man and woman, Adam and Eve, in a journey through time and space with the ultimate goal of illuminating the two. The play indeed presents a cycle of decay, a cemetery of destroyed kingdoms, for Lucifer only reveals the periods of decline in human history. But despite all the atrocities, all of the human suffering, the Man holds the supreme weapon – Freedom – to change, to search, to CHOOSE.
LUCIFER: Dorin ENACHE
ADAM: Dumitru GEORGESCU
EVE: Maria Veronica VÂRLAN
THE SPIRIT OF THE EARTH: Alexandru BETERINGHE
LUCIFER’ S ANGELS : Andrei ATABAY, Adrian LOTCU, Claudian ȘIMAN, Dragoș STANCIU, Bogdan TRIFAN, Ionuț TERTECI, Ion TUDORACHE
Director: Diana MITITELU
Stage designer: Ioana UNGUREANU
Costume designer: Corina BOBOC
Lights: Andrei Bibire
Assisted by Vladimir ANTON
In Romanian with Hungarian and English subtitles
Ancient story about revenge by Jean Giraudoux, a French dramatist of the first half of the 20th century. The daughter of kings fanatically clings to the truth and pure conscience, but in a small and dirty world. It wakes up the old grievances and calls for clarification and retaliation to the detriment of the whole nation. Can a man stand without a pure conscience? And if he were the only possible savior of the state? Do family relations determine the relationship with the world and the state? Has the psychology and experience of the world changed since the age of ancient authors? Is truth always the highest value? And what about the politicians?
Elektra: Magdalena STRAKOVÁ
Klytaimnestra: Natálie GOLOVCHENKO
Agathe: Petra SCHOVÁNKOVÁ
First Eumenide: Klára Anna SATINSKÁ
Second Eumenide: Barbora BEZÁKOVÁ
Third Eumenenide: Stanislava HAJDUKOVÁ
The beggar: Karel VONDRÁŠEK
Aigisthos: František MAŇÁK
The chairman of the supreme court: Viktor HARANGI
Orestes: Štěpán PRINC
The gardener: Jakub SPIŠÁK
The servant: Mark Kristián HOCHMAN
Domestic troops commander: Pavel ŠUPINA
Translate: Jindřich HOŘEJŠÍ
Dramaturg: Karolina ONDROVÁ
Scenography: Jan MATŶSEK
Music: Vojtěch DLASK
Sound: Petra GÖBELOVÁ, Václav ZEMÁNEK, Vojtěch FIŠERA
Light: Vojtěch MATULÍK, Lucie PAŘÍZKOVÁ
Production manager: Júlia PECKOVÁ
In Czech language with Hungarian and English subtitles
Production of the third-year actor class from the University of Kaposvár.
The original book of Carmina Burana is a manuscript of 254 poems mostly from the 11th and 12th century. The irreverent and satirical pieces were written mostly in Medieval Latin, French and Middle High German.The selection covers a wide range of topics which aplly to the 12th century just as they do to the 21st century: the fickleness of fortune and wealth the ephemeral nature of life, the joy of the returning Spring and the pleasures and perils of drinking and lust.
BÖLKÉNY Balázs, CSEKE Lilla Csenge, HERMÁNYI Mariann, KARÁCSONY Gergely, KISARI Zalán, KOCSIS Gábor, KOVÁCS Panka, KOVÁCS S. József, PPÉTERI Lilla, SZÁSZ Júlia, SZURCSÍK Ádám, VARGA-HUSZTI Máté
Music: CSEKE Gyöngyvér m.v., BÖLKÉNY Balázs, CSEKE Lilla Csenge, PÉTERI Lilla, VARGA-HUSZTI Máté, VÁRAI Áron m.v.
Korrepetitor: UJLÁB Gábor
Director-choreographer: BLASKÓ Borbála
In Hungarian with English subtitles
Vanessza, the young roma girl is getting prepared for the chance of her lifetime, a presigeous boxing-tournament. The road is long from the small countryside gym to the tournament, but with the help of her trainer, they may be able to go against all odds.
Directed by: Máté Bartha
Camera: Máté Bartha , Máté Kőrösi
Editor: Máté Bartha
Dramaturg: Dániel Daoud
Music: Márk Bartha
Tamás has been a quilt maker since forever. In his hidden basement time stands still, fluffs are flying everywhere. In this enclosed world the camera appears, and a special relationship starts between the director and him. The film is about: how it was, when I filmed the quilt maker.
Directed by: Réka Ugron
Miyu, a young Japanese girl is trying to fulfil her dream of becoming a professional ballerina – all this in Europe, Budapest, with no family by her side. Despite facing disadvantages such as her height or language and cultural barrier, she is fighting to win her biggest competition to date. Miyu believes the following: “a problem is your chance to do your best”.
Directed and filmed by: Botond Püsök
Sound editing: Domokos Seidl
Senior masters: Tamás Almási , Attila Kékesi
Bubi, Süti and Valentin are in their twenties. All of them live in an orphanage, where they grown up. They have only three years left in the state custody. Some of them have preserved and some spent the family allowance. This film is about their losses, dreams, desires, plans. They only want to be valuable parts of the society.
Cast: Tamás Bubenkó , Valentin Lakatos, László Sütő
Directed by: Dávid Art Réthy
Camera: László Marcell Kiss
Sound: Balázs Dávid
The film tells a story of an eighteen years old indifferent teenager, David. After eight years of living in North Serbia David and his mother moves back to Hungary, to David’s father. Between a man, who wants to be a father and a son who refuses his authority a psychological battle begin. As the story goes forward David’s secret, that he smuggles refugees throught the border, gradually reveals. First his mother gets to know about it, but she is unable to stop his son. After a dangerous action, where the indifferent David rescues a refuge girl, his father also has to face his son’s secret. Finally David and the girl end up at the same place.
Dávid –Benett Vilmányi
Mother –Éva Kerekes
Father –Csaba Horváth
Alex –Tamás Kovács
Migrant girl – Veronika Balogh
Hungarian border guard –Zsolt Zayzon
Policeman –Géza Fazakas
Viktor –Zoltán Géczi
Serbian-Hungarian border guard –László Keszég
Fellow policeman –Béla Ficzere
Young border guard –Dávid Vizi
Producer –Gábor Kovács
Co-producer –Miklós Bosnyák, Árpád Szirmai
Line producer –Linda Mester
Production coordinator –Dóra Nedeczky
Production manager –Dániel Bényi
Written and directed by –Balázs Dudás
Cinematography by –Csaba Bántó
Editor –Szabolcs Kővári
Sound –David W Bodnar
Music –Benedek Sulyok
Production designer –Anna Nyitrai
Two people meet in the dark. The darkness of an invisible exhibition. Through the film we follow them as they get closer and move apart from each other by crossing blurry boundaries. Boundaries that exist between and within people and are mostly invisible. Not only for the blind.
Written and directed by: Áron Szentpéteri
Cinematography: Zoltán Dévényi
Film editor: Anna Vághy
Sound design: Andor Horváth
Production design: Anna Ninausz
Costume: Anna Rubi
Music: Jerome Li-Thiao-Té
Producers: Áron Szentpéteri, Mónika Mécs, András Muhi
Line producer: Nóra Alföldi
Kata, a 40 year old, pregnant woman lives with her husband and 12 year old son, Peti in a housing estate. With the baby on the way everything seems idyllic, but one day something terrible happens to Peti. The parents have one night to decide how to handle it.
Annamária Láng (Kata), Levente Molnár (Levente), Zétény Varga (Peti), Róbert Kardos (Feri), Konrád Quintus (doctor), Jolán Feldmayer (nurse)
Producer: András Muhi, Mónika Mécs, András Muhi Pires, László Dreissiger, Miklós Bosnyák
Director: Sándor Csoma
Camera: Balázs István Balázs
Music: Csaba Kalotás
Screenplay: Sándor Csoma
Sound: Balázs Necz
Edit: Dávid Knapp
Julcsi is nearly thirty. She has spent her cozy, gray weekdays with Zoli for years. Paralyzed by despair she is waiting for something to happen with her. One night she finds herself in the body of the famous football player, Lionel Messi. The next day a hidden masculin power appears in her.
In main roles: Natasa Stork, Károly Hajduk
Directed by: Fanni Szilágyi
Camera: Kristóf Becsey
Music: András Pongor
Editor: Zsófia Ördög
Written by: Réka Mán-Várhegyi
Screenplay: Zsófia Lányi , Fanni Szilágyi
Producer: Miklós Bosnyák , Gábor Kovács
In main roles: Zsófia Szamosi , Róbert Kardos
Written and driected by: Zoltán Nagy
Camera: Nándor Gulyás
Editor: Anna Kornis , Szabolcs Kővári
Producer: Miklós Bosnyák, Gábor Kovács